Francis Picabia

French, 1878-1953 Biography

Francis Picabia was born François Marie Martinez Picabia on or about January 22, 1879, in Paris, of a Spanish father and a French mother. He was enrolled at the Ecole des Arts Décoratifs in Paris from 1895 to 1897 and later studied with Fernand Cormon, Ferdinand Humbert, and Albert Charles Wallet. He began to paint in an Impressionist manner in the winter of 1902–03 and started to exhibit works in this style at the Salon d’Automne and the Salon des Indépendants of 1903. His first solo show was held at the Galerie Haussmann, Paris, in 1905. From 1908, elements of Fauvism and Neo-Impressionism as well as Cubism and other forms of abstraction appeared in his painting, and by 1912 he had evolved a personal amalgam of Cubism and Fauvism. Picabia worked in an abstract mode from this period until the early 1920s. Picabia became a friend of Guillaume Apollinaire and Marcel Duchamp and associated with the Puteaux group in 1911 and 1912. He participated in the 1913 Armory Show, visiting New York on this occasion and frequenting avant-garde circles. Alfred Stieglitz gave him a solo exhibition at his gallery “291” that same year. In 1915, which marked the beginning of Picabia’s machinist or mechanomorphic period, he and Duchamp, among others, instigated and participated in Dada manifestations in New York. Picabia lived in Barcelona in 1916 and 1917. In 1917, he published his first volume of poetry and the first issues of 391, his magazine modeled after Stieglitz’s periodical 291. For the next few years, Picabia remained involved with the Dadaists in Zurich and Paris, creating scandals at the Salon d’Automne, but finally denounced Dada in 1921 for no longer being “new.” The following year, he moved to Tremblay-sur-Mauldre outside Paris, and returned to figurative art. In 1924, he attacked André Breton and the Surrealists in 391. Picabia moved to Mougins in 1925. During the 1930s, he became a close friend of Gertrude Stein. By the end of World War II, Picabia returned to Paris. He resumed painting in an abstract style and writing poetry. In March 1949, a retrospective of his work was held at the Galerie René Drouin in Paris. Picabia died November 30, 1953, in Paris.

Effets de soleil sur les bords de l'Étang de Berre, 1905

Oil on canvas
29 x 36 ½ inches
37 x 44 ½ inches framed
Signed and dated lower left: Picabia 1905

Provenance:
Coll. Mr. Sorel, 1905
Galerie Haussmann, Paris
Vente Oeuvres de Picabia, Hôtel Drouot, Paris, 8 Mar 1909, no. 22.
Collection Henri and Cécile Boulard de Villeneuve, Paris (purchased from the above)
By descent to Collection of Ms. F. Cramail, Paris, 1965
By descent to Private Collection, Paris

Exhibition:
Paris, Galerie Haussmann, Exposition d’Oeuvres de Picabia, 10-25 Feb 1905, no. 23
Paris, Galerie Haussmann, Picabia, 1907, no. 55 (reproduced in catalogue)
Paris, Hôtel Drouot, Oeuvres de Picabia, Mar 1909, no. 22 (reproduced in catalogue)

Literature:
P. Calté, W. A. Camfield, B. Calté, C. Clements, A. Pierre, Francis Picabia Catalogue Raisonné, 1898-1914, Vol. 1, (Mercatorfonds, Brussels, 2014): p. 232, no. 214 (repro. in b/w and incorrectly catalogued as signed lower right)