This is a reprise of Klotz’s first exhibition of Alice Baber’s work from May of this year. Envisioning the need for a reintroduction of this important artist’s work into the canon of female abstract expressionists, Jody Klotz has methodically acquired all 20 works in the show over the last two years to bring this project to fruition. The exhibition features oil paintings and works on paper dating from1960 to 1981, offering an expansive view of Baber’s stylistic evolution and innovative use of color and form. The show highlights the range of Baber’s abstract images, which earned her a place in the permanent collections of dozens of museums, both in the United States and abroad. In New York City alone, Baber’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Solomon R. Guggenheim Museum, and the Whitney Museum of American Art.
Alice was born in 1928 in rural Illinois and, until gas rationing began in World War II, grew up spending winters with her family in Miami, Florida. After a mid-western education, Baber moved to New York in 1951 and met many of the abstract expressionists at the Cedar Bar and The Club. From 1959-1968, she spent half of every year in Paris, France, and exhibited across Europe and in Asia. A world traveler, by the 1970s, she toured for the U.S. government, showing her art across Latin America. She is said to have been “always imaginative.” Baber later spoke about “color memory, that anything that you remember well you remember in very vivid color, and anything that’s particularly sort of gloomy becomes very gray.… My most interesting memories are in very brilliant color.” Baber wrote poetry and prose. Her published writings include essays on color in the 1970s and on Sonia Delaunay, whom she met in Paris. Baber was often featured in the New York Times and in major art publications. On December 29, 1978, the New York Times described her as “A prominent colorist since the early 60s, Alice Baber has charted a course somewhere between Abstract Expressionism and Color Field painting.”
She created her lyrical compositions of buoyant forms with an innovative technique involving thinned oil paint application which she called “sinking and lifting”which reveals the glow and inner light of colors.
Although Baber’s early death in 1982 at only fifty-four allowed her work to be eclipsed, the market has begun to respond energetically to her elegant and beautiful paintings.
In the gallery’s comprehensive and fully illustrated 116-page catalogue for Alice Baber: Colors of the Rainbow, Dr. Gail Levin, art historian and biographer, has written a 10,000-word essay which represents the first major scholarship on the artist, and precedes her upcoming groundbreaking biography which further expounds upon Baber’s life and career.
Baber’s life and art are the subject of a forthcoming biography by Gail Levin, Distinguished Professor at the City University of New York, and author of biographies of Lee Krasner, Judy Chicago, and Edward Hopper.
With special guest, Mr. John Kern, nephew of Alice Baber
With Dr. Gail Levin, Jody Klotz and Dakota Sica
And will include a reading of sample excerpt from Gail Levni's forthcoming biography "Triumph over Tragedy: The Art and Times of Alice Baber."
Monday - Friday
9:00 am - 5:30 pm
Evenings & weekends
by appointment
Monday - Friday: 9:00 am - 5:30 pm
Evenings & Weekends
by appointment